April 10, 2016
Venice Ghetto
Venice's Ghetto marks 500 years of fascinating, culturally rich history
Perhaps because you often have to cross a bridge or two to reach them, neighborhoods in Venice can seem to be worlds of their own. The lagoon city is officially divided into six "sestrieri' or quarters, and within each one, it's enough to walk under a "sottoportico" (a pedestrian walkway under private buildings) and, scamper across bridges over a "rio," or small canal, to discover what seems to be different territory. Even the slant of light can feel different from one "sestriere" to another..
Venice's Ghetto neighborhood in the Cannaregio sestriere qualifies as one of the city's most singular places -- indeed, it can rank among the world's most fascinating historical areas. Celebrating this cultural treasure, Venice and Jewish communities are highlighting the Ghetto's history and contributions to the city and beyond with events and exhibits to mark the 500th anniversary of its establishment.
(A Jewish cemetery. on the Lido, dates back even more, to the late 14th century, reflecting generations of Jews, many of them merchants who were allowed to work in the city although forced to pay a special tax on import and export business deals.)
On March 29, 1516, after Jews who were fleeing to Venice from expulsions in Spain and Portugal, swelled the Jewish population in the city, the-then proud and powerful Venetian Republic, in a reflection of geo-political forces, ordered the city's Jews to live in an island area where a foundry had been. Different explanations are offered for the origin of the name "Ghetto," with much consensus centering on the Italian word "getto" meaning to cast metal, as a foundry would.
Later, the label "ghetto" would identify other areas where the Jews would be confined, including the Tiber-side neighborhood in Rome. The word also evolved to signify where any identifiable group would live, segregated.
At midnight, the Venice Ghetto's gate was locked shut, with the Jewish community within forced to pay Christian guardians. Patrol boats also plied the waters surrounding the Ghetto, not far from today's train station, to ensure no Jew left after midnight.
But while strictly enforced, the restriction on the Jews couldn't stop the development of a flourishing, cosmopolitan culture inside. The population continued to grow and be enriched: Jews arrived, fleeing Poland and Germany. Other, turban-wearing Jews, from the Ottoman empire, arrived from Turkey, all enriching the cultural mix, as each group brought its own traditions and religious customs. Since Christians could enter the Ghetto, these Venetians made contact with the culture -- literary, intellectual and artistic -- flourishing within the Ghetto's confines, and took these influences with them when they exited the Ghetto's world.
Visitors today to the Ghetto can see the sottoportico which gave access to the segregated community, where bars were once put in place each night to keep the inhabitants from leaving at night. With the population swelling while the Ghetto was enforced, flats were divided and stories added -- with some buildings nine stories high, practically skyscrapers a half-millennium ago.
Highlights of a visit include stopping in the Ghetto's museum and as well as admiring the ornate furnishings of some of the five "scole" or synagogues, a reflection of the varied traditions each arriving wave of Jews from across much of the continent brought with them.
To mark the 500th anniversary, the Palazzo Ducale, in its Doge Apartment, hosted an exhibit, running through Nov. 13 entitled "Venice, the Jews and Europe 1516-2016." The exhibit offers reflections on linguistic and cultural exchanges, the trades and artisan crafts practiced that the Ghetto's inhabitants shared with the city's Christian population and well as other minorities in what was for its time an extraordinary important commercial center. Paintings by artists ranging from Bellini to Chagall are included in the show.
The Peggy Guggenheim Collection, in collaboration with the Ikona Gallery, organized a photographic show which runs through Nov. 27. The show, ""Peggy Guggenheim in Photographs" pays tribute to the 20th-century art patron, whose namesake palace art museum is a popular attraction along the Grand Canal. Photographers with works in the show include Man Ray, Berenice Abbott and Giselle Freund.
During the summer, the Ghetto hosted the first-ever performance of Shakespeare's "The Merchant of Venice.""
Scholarly seminars, conferences and lectures -- one eight-day conference was called "The Ghetto as a Global Metaphor, and including presentations by lectures from Princeton, Harvard, Yale universities and other educational institutions -- have also been a key part of the program throughout the anniversary year. Activities also include a project to reclaim two abandoned orchards near the Levantine and Spanish synagogues, with the result to be called "Secret Gardens of the Ghetto".
December events include a conference on The Venetian Ghetto in European History and Culture, and another focusing on sacred music of Italian Judaism.
Additional information is available at at www.veniceghetto500.org.






